Fitzgerald, Ella - Love Walked In Lyrics






Love walked right in, and drove the shadows away
Love walked right in, and brought my sunniest day
One magic moment, and my heart seemed to know - that love said hello
Though not a word was spoken
One look, and I'd forgot the gloom of the past
One look, and I had found my future at last
One look, and I had found a world completely new
When love walked in with you





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Fitzgerald, Ella Love Walked In Comments
  1. A.... A....

    Beautiful Ioved Ella's version

  2. a.... E....

    The voice

  3. J.... S....

    THE JEAN TURNER /STAN KENTON VERSION IS BETTER ..

  4. E.... M....

    https://www.youtube.com/watch?v=YpXYNo_xFAA

  5. B.... B....

    THIS IS ONE OF THE MOST BEAUTIFUL SONGS WRITTEN

  6. M.... N....

    The highest notes in the range of the melody of this song are not minor intervals. The highest notes she sings in this melody are major: a perfect octave away from the tonic, and a major 9th above. Anyway, Ms. Fitzgerald's vocal range was three octaves, so I think the song was lucky to have her.

  7. A.... C....

    Stunning, the one and only Ella. Cloise your eyes and dream. Thank you for this.

  8. M.... B....

    jazz and swing have a lot in common!

  9. M.... B....

    well, we agree on the beautiful bit!

  10. W.... M....

    thats' a voice singing pure poetry, can't beat gershwin.fitzgerald. rip and thank you !

  11. J.... T....

    It's not a waltz. It's a beautiful foxtrot!

  12. S.... P....

    This exquisite song DOES NOT belong on a collection of jazz standards! It's a straight, romantic, old fashion ballad all the way. It's a perfect waltz. I have always thought that this was THE most beautiful song that George and Ira Gershwin ever wrote, yet sadly today it's almost forgotten. Like so many of the beautiful classics written in the 1930s, it has a lovely "intro" piece which gets dropped here in Fitzgerald's version. To hear THE most perfect, COMPLETE performance of this song, check out Kenny Baker's version in the 1938 MGM musical "Goldwyn Follies." HIS version beats Fitzgerald's by a country mile, primarily because Baker's voice had a wider range than Fitzgerald's and he could easily reach those high, minor notes that Fitzgerald struggles for here.

    S.... P....

    ..."someone to watch over me" does it for me!       - this lost little lamb....

    S.... P....

    It's also in duple meter, not triple, so I don't know how anyone could hear it as a waltz. There's no such thing as a "minor note," either.
    Just went off, at your suggestion, to hear Kenny Baker's version. A squeaky, thin tenor-- I far, far prefer Ella's rich sound.
    I'm sure not hearing any struggling for high notes. In fact, this arrangement stays in the lower part of her range. And she is in complete control at all times.

    S.... P....

    Ella didn't struggle at all. She has three octave range, which is very impressive since the vast majority of people only span one. Also, I should add many popular jazz standards were originally songs written for the plays and films of the time, take My Funny Valentine for instance. That song was written for a play all the way back in 1934, but who doesn't think of Chet Baker, Frank Sinatra, and yes Ella Fitzgerald at just the name of the title. Jazz is one of the last genres of music that pays homage to these now nearly forgotten songs. Ella admitted she couldn't wail like Dinah Washington but she could sing a ballad better than anyone.

  13. S.... P....

    Re: the commercial-I've drank "The Last Word" cocktail and it ROCKS!
    Most bartenders here in California haven't a clue how to mix one, so be prepared to tell them exactly how its made. Also be prepared for them to inform you that they don't have all the ingredients to make one,lol.

    S.... P....

    Always in a chilled glass, please        - shaken ,not stirred.