Agnetha Faltskog - Bubble Lyrics






Time means nothing here.
We let the past, the future disappear
Inside this moment.
We live and breathe as one,
Nothing can't become something,
Something can't become nothing,
We are...

Rainbow skies, northern lights,
Tails from falling satellites,
Like fireworks you're breaking through
The love I feel, you feel it too.
Forget the world, let's stay inside
I know the perfect place to hide.
Only me and you...
In this bubble made for two.

Caught in a blind spot,
We only got eyes for each other.
Some kind of madness I know.
But it's the way I feel.
Nothing can't become something,
Something can't become nothing,
We are...

Rainbow skies, northern lights,
Tails from falling satellites,
Like fireworks you're breaking through
The love I feel, you feel it too.
Forget the world, let's stay inside
I know the perfect place to hide.
Only me and you...
In this bubble made for two.

The tears inside your eyes
Multiply, become a river in me

Rainbow skies, northern lights,
Tails from falling satellites,
Like fireworks you're breaking through
The love I feel, you feel it too.
Forget the world, let's stay inside
I know the perfect place to hide.
Only me and you...
In this bubble made for two.

In this bubble made for two.





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Agnetha Faltskog Bubble Comments
  1. S.... S....

    I want her to jerk my nuts

  2. B.... ....

    Voix vraiment mélodieuse, au-delà de l'âge.

  3. K.... K....

    She has hardly aged! I love it!

    K.... K....

    Kate...Since ABBA, through today, 2019, Agnetha has been in my bed singing me to sleep. Some dream, huh? You're right, Kate, Agnetha has hardly aged at all. I know...I've been kinda close to her for quite a while, intimately close. .

  4. G.... C....

    Maravillosa, Agnetha, con su belleza y voz.

  5. K.... E....

    AHH.. SO BEAUTIFUL AND RELAXING.
    GOOD JOB AGNETHA.

  6. R.... G....

    I would love to be in that bubble with you dear Agnetha

  7. g.... v....

    when you thought, a very beautiful voice changes after so many years, yet here is miss Agnetha proving u wrong..

  8. 1.... ....

    So beautiful voice and emotion

  9. J.... O....

    ERES TODA UNA REINA,,TODA UNA LADY, UNA ESTRELLA QUE NO SE APAGARÁ,,AGNETHA FALTSKOG DIOS TE BENDIGA SIEMPRE..

  10. �.... �....

    Как она была хороша в те 80 - е! Спасибо, Агнета!

  11. J.... O....

    Con mucho respeto ,,,, AGNETHA ES LA QUE LUCE MEJOR DE LOS CUATRO ,,,,, QUE LOS OTROS TRES LES PREGUNTEN COMO LE HIZO AGNETHA,,, REINA DE REINAS FOREVER ...

  12. s.... ....

    I love this song. Very atmospheric.

  13. K.... E....

    ABSOLUTELY.. UNBELIEVABLY... SO FULL OF GRACE AND BEAUTY .
    SPEECHLESS.....

  14. J.... K....

    So nice she sing this song. Her voice is still good!

  15. L.... S....

    Bellissima sempre!

  16. J.... O....

    I love you forever,,,,,,,,,my QUEEN, AGNETHA VIVE EN MI CORAZÓN DESDE MI ADOLESCENCIA..

  17. G.... P....

    Agnetha, amo suas músicas. Uma mais linda que a outra. Diva sempre! Um abraço carinhoso do Brasil.

  18. M.... R....

    She is really one of a kind . I love this woman Agnetha Fältskog <3

  19. J.... O....

    AGNETHA UNA MUJER CON CLASE ,UNA MUJER EXITOSA ,DE UNA BELLEZA Y , SENCILLEZ UNICA, Y DE UNA VOZ PRIVILEGIADA, QUIZAS POR MUCHOS CANTANTES EN EL MUNDO ENTERO.

  20. w.... f....

    Still has the crystal clear voice at this age... but abba group is irreplaceble

  21. A.... H....

    What an amazing lady!

  22. R.... M....

    Beautiful song, but please listen to MAN, it really is my most favourite of Agnetha's. Beautiful voice and also a physical beauty, what would I give to meet her just once !!!!!!!!!

  23. E.... P....

    Agnetha Faltskog maravilhosaaaaaaaaaaaaaa

  24. J.... O....

    Anna, inmortal, voz angelical, natural, hasta hoy en día Dios te bendiga siempre Agnetha hermosa de lo más bello en el planeta.

  25. J.... O....

    Agnetha hermosa, voz angelical en U S A . Te amamos.

  26. J.... O....

    No conozco a ninguna abuelita más talentosa y más hermosa que mi novia Agnetha.

  27. �.... �....

    Это не Агнета.

  28. A.... D....

    Não canso de te assistir vc é linda uma voz de anjo que muito me alegrou nos anos 70 e 80.obrigado

  29. R.... G....

    Such an angelic voice, and what an elegant lady

  30. M.... J....

    My love my life ....

    M.... J....

    Max : GREAT COMMENT !!

  31. �.... �....

    I don't want a perfect life. I want a happy life.

  32. �.... �....

    I remember forever.

  33. a.... k....

    Happy Birthday to you Agnetha..Happy Birthday to you, on April 5th,this year 2019.

  34. J.... K....

    Her voice is not like before but still nice. Agnetha sings again. 👍🏽🎤🎼

  35. A.... F....

    I have just been listening to this song called bubble by agnetha out of abba I was reduced to tears your voice is as amazing today as it was way back in the 1970

  36. n.... h....

    Nádhera

  37. J.... K....

    I hope you to meet and that we can make a selfie.

  38. G.... U....

    😍😘😚🤗The best! Magnifique!

  39. G.... U....

    OMG! Your appearance reminds me of my mother. Very very very nice voice and song! Beautiful

  40. �.... K....

    A lowe... [email protected]

  41. J.... G....

    At this time in Agnatha life a broken heart 💔 hurts even more than anything.its hard to fight the pain.🥰🥰👌👌😇

  42. B.... v....

    с уважением Вытакже очаровательнокрасивы это от души дай вам ваш бог!имой тоже!!!

  43. �.... �....

    Обожаю ее голос.....особенно в этой песни....ангел поет....На все времена!!!!!

  44. B.... ....

    Emotion to see those friends !

  45. J.... K....

    Your voice is still nice Agnetha. I have you all you solo albums. Greets from me,...Johan from Holland.

  46. �.... �....

    самая любимая

  47. �.... �....

    самая любимая

  48. L.... S....

    Beutiful voice

  49. R.... K....

    THE MOST BEAUTIFUL VOICE AND WOMAN IN THE WORLD !

  50. F.... F....

    This woman is beautiful

  51. O.... B....

    Agnetha Always & Forever !!!

  52. �.... �....

    What's do you think me.

  53. �.... �....

    Help you self.

  54. T.... J....

    In love with Agnetha ever since 😊

  55. �.... �....

    it End

  56. T.... J....

    Like, I belive, every boy, I was in love with Agnetha 😊 she was, and still is, a dream

  57. �.... �....

    Sister see good night

  58. F.... S....

    Haunting...….very dreamy. One of my favourites I must say.

  59. E.... J....

    OMFG! An autotune effect on one of the all-time Goddesses of music. That's something I never expected to hear....

    E.... J....

    🤧💥🤯

  60. A.... M....

    Agnetha , I liebe bis heute deine Musik !!!

  61. G.... T....

    She wasted two decades hiding her beauty from the world. What a waste. #Godonlyknows

    G.... T....

    Gil : I Know ... Sad .
    At the same time though.. If That's What She Needed Then So Be It .
    ..Am So Glad She's Back though.

  62. A.... O....

    yiftaCH AGNETHA FOREVER

  63. H.... A....

    Agnetha is as beautiful as ever and so is her voice.

  64. �.... �....

    Люблю "АВВА". Агнетта просто ангел....

  65. N.... A....

    lovely voice of Agnetha Faltskog, May 01/5-2018

  66. K.... A....

    Agnetha, thank you for the gift of your voice.

    K.... A....

    TANKS. GOD ,, FOR HER VOICE

  67. 4.... U....

    Agnetha, you did a great job. Congratualations.

  68. J.... K....

    I hope you make a new album. And says the last one. I understand that you Will stop, your fan. Johan klomp from Holland.

  69. J.... K....

    Agnetha you did this very good. Your voice is a Little not high but so good. Greets from me, Johan.

  70. J.... K....

    Very good singing Agnetha. I hope you make a new album like this. Greets from me, Johan from Holland.😁👋🏻

  71. b.... l....

    My alltime favourite singer ever! She is so beautiful! And that voice! Incomparable forever! ♡♡♡♡♡

  72. E.... M....

    I LOVE YOU AGNETHA! YOU'LL FOREVER REMEMBER!💓❤💗💖💕💞💟⚘🌹🌼

  73. S.... D....

    Нежность безграничная...

  74. A.... C....

    Grandissima Agnetha, il tempo passa ma tu rimani sempre une bellissima donna oltre che una cantante meravigliosa con una voce sublime

  75. J.... K....

    Her voice is still very nice.

  76. d.... ....

    In last week reading their life story,now this just me please don't take me wrong,they seem so sad,much money does not bring happiness.
    when they divorced,had to be so sad to love ,play and live then you are together but not together,winner takes all,but it seems ,not these 4 didn't take all.
    please just my thinking out loud.

  77. E.... k....

    KOCHAM CIEBIE:)

  78. J.... K....

    Agnetha? Your last album is very nice. I hope you make a new album. You can the last Time. Greets from me from me, Johan from Holland.

    J.... K....

    I hope that you make a new album.

    J.... K....

    We all hope she will make a new album!!She is our angel, and we hope she is happy and found the love

  79. D.... H....

    Don't listen to the spins. Agnetha has lived a very happy and fulfilling life.

    D.... H....

    Derek...I think you're right. I sure hope so. She spent her life making other people happy, She's more than earned her way to Heaven. God bless her!!!

  80. D.... H....

    Agnetha is very happy and confident, although she is known to lack self-confidence in the past. She has actually been quite happy after those miserable years with Abba. She joked about herself from time to time, but the press was extremely unfair to her. However, she would not let anyone else to ruin her life and her happiness.

    D.... H....

    Derek Hui...Good comment, Hon, but I disagree about Agnetha being miserable with ABBA. Those years with ABBA were her happiest...just review the ABBA videos showing her with Bjorn and their children. During her time with ABBA, she had some very frightening experiences...close calls for planes crashing, for instance, threats of her children being kidnapped, et cetera. She was not miserable with ABBA, but she didn't want to push her luck on tours, and she loved her children more than the BILLIONS she'd have made touring. ABBA actually was offered one billion to go on a tour, but Agnetha nixed the offer...and that's when the media did what the media always does...lie. Anyway, Hon, that's my two cents. Cheers!!!

  81. J.... K....

    Thtat is so a good number from Agnetha.

  82. D.... ....

    She looks like Martha Stewart in these pics.

  83. M.... J....

    she's still gorgeous only more cuddly and that voice has change a little but no for the worse . this song shows a different vocal range and agnetha I love the LA LA LA LA LA and the deeper sound in you vocal . its a beautiful song and lovely performance please don't go into hideing again agnetha you are a ray of sunshine and that smile of yours has been missing for a long time welcome back ! mj

  84. V.... B....

    Beautiful song and voice

  85. M.... T....

    sisters in Christ forever 💗💗

  86. L.... m....

    i really love her voice ,shes the best....

  87. g.... g....

    I love this song

  88. Y.... S....

    Heavenly legend

  89. J.... ....

    Seems to me she's found her way out of the bubble that kept her music prisoner for so many years. She still has much to give!

  90. J.... N....

    Beautiful song i love it

  91. D.... M....

    __________________
    NEXT: SHOWING 12-Majors and 12-Minors
    START with HIGH NOTES:
    .
    High Notes (Sharp Keys)
    .
    12-Majors.....12-Rel Minors.......Major BEAD.....Minor BEAD
    .
    [01] C#
    .....................[01] A#
    [02] F#
    .....................[02] D#
    [03] B................................................B
    .....................[03] G#
    [04] E................................................E
    .....................[04] C#
    [05] A................................................A
    ......................[05] F#
    [06] D................................................D
    ......................[06] B....................................................B
    [07] G
    ......................[07] E....................................................E
    [08] C
    ......................[08] A....................................................A
    [09] F
    ......................[09] D....................................................D
    [10] Bb
    ......................[10] G
    [11] Eb
    ......................[11] C
    [12] Ab
    ......................[12] F
    [01] Db/C#
    ......................[01] Bb/A#
    [02] Gb/F#
    ......................[02] Eb/D#
    [03] Cb/B
    ......................[03] Ab/G#
    .
    Low Notes (Flat Keys)
    __________________________________________________________
    .
    ---Eb--Bb----F----C----G----D-----A----E----B <----Major INV BEAD in 5ths
    C----G----D-----A----E----B----F#---C#--G# <----------Minor INV BEAD in 5ths
    Majors built in 5ths:
    -----------------F-A-C....G-B-D
    -----------------------C-E-G....D-F#-A
    .
    Minors built in 5ths
    -------------D-F-A......E-G-B
    -------------------A--C--E....B-D-F#
    .
    NEXT shows the Relative Minor with its Major
    ----------------F-----C<-------------------------F-A-C<----------F<------------F---C
    -------------D----A<--------------------------D-F-A<---------D----A<------------A
    .
    ------------------------C-E-G
    ---------------------A-C-E
    __________________________________
    .
    The Major INV BEAD and Minor INV BEAD are identical, however these two INV BEAD NOTES (String of Notes) must be placed in a synchronized alignment:
    .
    -----F----C----G----D----A----E----B
    D------A----E----B
    __________________________________________________
    ____________________________________________________
    Any KEY, such as the "KEY OF C" has 7-music notes.
    The 7-notes of the "C" KEY make up 7-TRIADS (chords in 3rds):
    Three Major Triads ---[1] C-E-G ("C" Major), [2] F-A-C ("F" Major) and [3] G-B-D ("G" Major)
    Three Minor Triads---[1] A-C-E- ("A" Minor), [2]D-F-A ("D" Minor) and [3] E-G-B ("E" Minor)
    One Half Diminished Triad --- [1] B-D-F (B- or Bmb5)
    [1] CEG
    [2] FAC
    [3] GBD
    [4] ACE
    [5] DFA
    [6] EGB
    [7] BDF <<---This Triad in 3rds is not true (natural) to 12 note majors. This B-D-F does occur in 3rds in a 7-note Heptatonic Major.
    NOTICE: All these triads are made-up of 7-notes that ae not sharp (#) or flat (b).
    Also: The 3-Major triads are accompanied by their own "RELATIVE MINOR:"
    C-E-G ("C" Major) accompanied be an A-C-E ("A" Minor, the RELATIVE MINOR OF "C")
    F-A-C ("F" Major) accompanied by D-F-A ("D" Minor, the RELATIVE MINOR OF "F")
    G-B-D ("G" Major) accompanied by E-G-B ("E" Minor, the RELATIVE MINOR OF "G")
    -----------
    The BDF is not true to a 12-note major. The B-D-F is utilized, since it exists between HEPTATONIC octives, most obvious in 3rds:
    C--D--E--F--G--A--B--C--D--E--F--G--A--B
    ---------------------B------D------F
    C--D--E--F--G--A--B- <---Single Heptatonic octive
    --------------------------C--D--E--F--G--A--B
    C--D--E--F--G--A--B--C--D--E--F--G--A--B <---2-octives, Heptatonic octives
    C------E-----G-----B------D------F------A
    ---------------------B------D------F
    A 12 tone major would be:
    C-D-E-F-G-A-B-C-D-E-F#
    ----------------B---D----F#
    The B-D-F would be a B-D-F# ("B" Minor triad)
    The "B" Minor is the RELTIVE MINOR of a D-F#-A ("D" Major):
    C-D-E-F-G-A-B-C-D-E-F#-G-A
    ---------------------D----F#---A
    C-D-E-F-G-A-B-C-D-E-F#-G-A-B-C#-D-E-F-G#A
    C---------G--------D-----------A----------E
    ---------------------
    12 note major: (Starting with the "Bb")
    Bb-C-D-Eb-F-G-A-Bb-C-D-E-F-G-A-B-C-D-E-F#-G-A-B-C#-D#-E <<---12 note Major
    ---------------------Bb----D----F <<-------------------------------------"Bb" Major in the "F" KEY
    -----------------------------------------B----D----F# <<-------------------""B" Minor in the "G" KEY
    **NOTICE:** There is NO "B-D-F" (Half Diminished).
    Two KEYS [7-note (heptatonic) KEYS] must be placed next to each other the make-up a B-D-F in 3rds.

    Thus:
    [1] The "C" KEY going down scale transfers into the "F" KEY, and
    [2] The "C" KEY going up scale transfers into the "G" KEY.
    ----
    A 12 note major is split into two parts;
    [1] ONE Part is called: HEPTATONIC (7-notes)
    [2] The SECOND Part is called: PENTATONIC (5-notes)
    -----------------------------------------------
    -----------------------------------------C-E-G <<-------------"C" MAJOR (REL. MINOR IS Am)
    Cb---Gb---Db---Ab---Eb---Bb---F---C---G---D---A---E---B---F#---C#---G#... INV BEAD
    ------------------------------------------C-E <<--- (An interval shared between CMaj & Am)
    ---Eb----Bb----F-----C----G----D---A---E---B---F#--C#--G#--D#....INV BEAD
    ----------------------------------------A-C-E<<------"A Minor" is the relative minor of "C"
    A minor + C Major = Am7th
    ...A-C-E + C-E-G = A-C-E-G
    C Major + E minor = CM7
    ...C-E-G + E-G-B = C-E-G-B
    and so on ...
    _______________________
    Cb---Gb---Db---Ab---Eb---Bb---F---C---G---D---A---E---B---F#---C#---G# <--built In 5ths
    ---Eb----Bb----F-----C----G----D---A---E---B---F#--C#--G#--D# <--built in 5ths

    Top Line (INV BEAD in 5ths) makes 12 majors
    Bottom Line (INV BEAD in 5ths) make 12 minors
    There are NO half-diminished triads.
    ____________________________________________________
    AGAIN
    Top LINE
    12 Majors Triads in a row
    1------2----3-----4-----5-----6---7----8---9---10--11--12--1------2---------3----------4
    Cb---Gb---Db---Ab---Eb---Bb---F---C---G---D---A---E---B---F#(Gb)---C#(Db)---G#(Ab)
    Bottom Line 12 Minor triads in a row
    ----1-----2-----3-----4-----5----6---7----8---9----10-------11--------12---------1
    ---Eb----Bb----F-----C----G----D---A---E---B---F#(Gb)--C#(Db)--G#(Ab)--D#(Eb)

    Scale of 12 Minor and Major chords/triads occur in a row:
    CbMaj-(Ebmin-GbMaj)-(Bbmin-DbMaj)-(Fmin-AbMaj)-(Cmin-EbMaj)
    (Gmin-BbMaj)-(Dmin-FMaj)-(Amin-CMaj)-(Emin-GMaj)-(Bmin-DMaj)
    (F#min-AMaj)-(C#min-EMaj)-(G#min-BMaj)-(D#min-F#Maj)
    NOTICE:
    The "Relative MINOR" is paired with its "MAJOR:" ... sample--> (Amin-CMaj)
    ___________________________________________________
    D I M I N I S H E D
    The 12 note (12 point) chromatic scale is studied by dividing the 12 points into different increments:
    1-2-3-4-5-6-7-8-9-10-11-12-1 <---12 increments (each is a point) Changing the increments, other relationships are formed:
    1-2-3-4-5-6-7-8-9-10-11-12-1<<---chromtic 2nds
    1---3----5---7---9-----11-----1 <<----there are 6-points
    1---2----3---4---5------6----- <<----------there are 6-points; 6-points, 5 intervals
    1---2----3---4---5------6------1 <<----7-points, 6 intervals
    1---2----3---4---5------6------7/1 <<--- showing 7-points
    _______________
    Diminished is studied in 4-intervals:
    1-2-3-4-5-6-7-8-9-10-11-12-1 <<--chromatic
    1-----4------7-------10--------1 <<--Diminished intervals that are derived from chromatic
    B-----D------F-------Ab-------B
    1-----4
    B-----D <<-----------------------------------------------Interval ONE
    ------4-----7
    ------D-----F <<----------------------------------------Interval TWO
    -------------7-------10
    -------------F-------Ab <<-----------------------------Interval THREE
    ----------------------10--------1
    -----------------------Ab------B <<--------------------Interval FOUR
    Interval ONE (B-D) is diferent than interval FOUR (Ab-B)
    Thus B-D-F is two-interals of the four intervals:
    B---D
    -----D----F
    The other two intervals are:
    F----Ab
    -----Ab----B
    ___________________
    Early instruments were studied in distances stepped. That is, the instrument were to move the sound from a "C" note/pitch to an "E" note/pitch. The distance in which the note/pitch is moved is 4-chromatic half steps or 2 chromatic whole steps. The PITCH/note is move to a DISTANCE. The distance is being discribed.
    .
    A "DISTANCE" requires 2-POINTS and is ONE INTERVAL DISTANCE"
    POINT 1----------POINT 2
    ...."C"--move to---"C#"
    This is 2-points (C-C#) at ONE DISTANCE (ONE Half INTERVAL)
    ________________________________
    Anyway, the "B half diminished" triad/chord (B-D-F) should not be named using the word DIMINISHED. The "B-D-F" should be called a "Bm-5" or "Bmb5"
    _______________________
    A to C is a "MINOR 3rd," the "C" is FLAT to the "A"
    1----2----3---4----5----6----7---8---9---10---11---12---1
    A---Ab---B---C
    A--------------C <<---A to C has a DIMINISHED RELATIONSHIP
    Any "Minor 3rd" has a Diminished RELATIONASHIP.
    Any "Minor 3rd" is a "Chromatic 4th"

    Heptatonic is studied from 7-POINTS. Pentatonic is studied from 5-POINTS. Each point is a music-note. The Diminished is studied from 4-INTERVALS.

  92. w.... ....

    NICE GE BOTTES THEM FOREVER

  93. g.... g....

    Love her singing

  94. s.... ....

    Back vocal is of Linda Ulvaeus, isn't it?

  95. w.... ....

    NICE BRIN DE COSETTE
    Rien que leurs Rodeurs labas à sertel jerutel les trames ondules banquette et merveilles PLURBAGIFT CELIWHERE DU PROFIL ET BENEF emplissaient PAS SEULEMENT A L ECRAN BONNE HELICE tout nos voeux AU MASCULIN ET FEMININ pour 2017!!
     A L ECRAN euh voilez voilez POMPETTE gesticulatrices aspirant de la dinette BOURRE D EPUISE VERSE à bon conte SOURIEZ VOUS ETES FILMEES les croches ventouses ECRAN PLAT :: VOUS REPRENDREZ DU HOMARD bocal verbatim clode ICOLA MELANCHION DU FILLON ben cuicui BRETELLES PLURBAGIFT EPUISE VERSE ALOUETTE JAS COULETON CELIWHERE ??

  96. F.... M....

    specially those of her that won't go away.

  97. F.... M....

    wishes and dreams are forever